Mark Olsen writes about all kinds of movies for the Los Angeles Times as both a feature writer and reviewer. He creates a regular series on independent, documentary and foreign language films under the banner of Indie Focus, also curating and hosting the Indie Focus Screening Series. His work has also appeared in Film Comment, the New York Times, LA Weekly, Sight & Sound and other publications. He is from Kansas.
Latest From This Author
The Times spoke to team behind “The Stringer” and an attorney for former AP photographer Nick Ut about the film’s claims that Ut did not take the photo known as “Napalm Girl.”
Also this week: Paul Newman at 100 with ‘The Color of Money,’ the mouthwatering ‘Tampopo’ and ‘Big Night’ plus Jane Campion’s erotic ‘In the Cut,’ all in 35mm.
Boulder, Cincinnati and a combined Salt Lake City and Park City are competing to become the new home of the Sundance Film Festival. Here’s what we know about their bids.
On Thursday, Russian actor Yura Borisov received his first Oscar nomination for his role in ‘Anora’ as a hired muscle who proves he also has a tender heart.
A robust number of near-experimental documentaries and narratives already call out to us from this year’s lineup, sure to yield a crop of future award winners.
Along with Rogen’s upcoming Hollywood satire series ‘The Studio,’ projects premiering at the Texas festival will include ‘Holland,’ starring Nicole Kidman.
With a mix of returning veterans and first-time attendees, Sundance 2025 arrives at a turning point for the festival and uncertainty in the culture at large.